MEUS ARTIGOS PUBLICADOS
1. “O Estado Como Mediator Cultural: O Projeto Pixinguinha” in Arte e política no Brasil: modernidades. São Paulo: Perspectiva, 2014. p. 211-249.
1. “O Estado Como Mediator Cultural: O Projeto Pixinguinha” in Arte e política no Brasil: modernidades. São Paulo: Perspectiva, 2014. p. 211-249.
2. ‘Música popular brasileira experimental: Itamar Assumpção, a vanguarda paulista e a tropicália’
Revista USP, n.87, 2010, 86-97.
3. Review of Alexander Sebastian Dent, River of Tears: Country Music, Memory, and Modernity in Brazil (Bulletin of Latin American Research, forthcoming)
4. The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira (Ashgate, 2008).
5. ‘Marcus Pereira’sMúsica Popular do Brasil : beyond folklore? ’Popular Music, Vol. 25(2), 2006, 303-318.
6. "Musica é para o povo cantar": Culture, Politics and the Brazilian song festivals 1965-72" , Latin American Music Review, vol. 21: Number 2: Fall/Winter (2000), 87-117.
7. Contributor to The Babel Guide to Brazilian Fiction in English Translation, Eds. David Treece and Ray Keenoy, (Oxford: Boulevard, 2001).
8. Review of Bryan McCann, Hello Hello Brazil: Popular Music in the Making of Modern Brazil (Durham, Duke University Press, 2004), Journal of Latin American Studies, 37, 2005, 398-400.
9. Review of Christopher Dunn, Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (Chapel Hill, NC: University of North Carolina Press, 2001), Journal of Latin American Studies, 35, 2003 (pp. 205-07).
3. Review of Alexander Sebastian Dent, River of Tears: Country Music, Memory, and Modernity in Brazil (Bulletin of Latin American Research, forthcoming)
4. The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Música Popular Brasileira (Ashgate, 2008).
5. ‘Marcus Pereira’sMúsica Popular do Brasil : beyond folklore? ’Popular Music, Vol. 25(2), 2006, 303-318.
6. "Musica é para o povo cantar": Culture, Politics and the Brazilian song festivals 1965-72" , Latin American Music Review, vol. 21: Number 2: Fall/Winter (2000), 87-117.
7. Contributor to The Babel Guide to Brazilian Fiction in English Translation, Eds. David Treece and Ray Keenoy, (Oxford: Boulevard, 2001).
8. Review of Bryan McCann, Hello Hello Brazil: Popular Music in the Making of Modern Brazil (Durham, Duke University Press, 2004), Journal of Latin American Studies, 37, 2005, 398-400.
9. Review of Christopher Dunn, Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (Chapel Hill, NC: University of North Carolina Press, 2001), Journal of Latin American Studies, 35, 2003 (pp. 205-07).
Livro Publicado
 |
| Clique aqui para ter maiores informações sobre o livro |
